The Artist is nothing without the gift but the gift is nothing without the


Wednesday, 19 December 2012

18th Centrury's most influential plyawright

Although agruments can be made for many writers of the 18th Century if we take into consideration of the fact that:

  "In Italy and in Germany, as in England and in Spain, the men-of-letters maintained the necessity of conforming to the theatrical theory of the French because they believed the French to be the only true exponents of the Greek tradition.." 1

The answer would be Racine for tragedy and Moliere for comedy.


1 The Drama in the 18th Century This article was originally published in The Development of the Drama. Brander Matthews. New York: Charles Scribner's Sons, 1912. pp. 263-295.

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